Saturday 14:30
The Chopin House
2024, 7 min., English
Director: Sadia Quraeshi Shepard
In Shadow Self: On Agnès Varda’s Documenteur, I blend film history and analysis and autoethnography, re-editing and remixing scenes from Documenteur, and inserting original footage and silhouettes to echo and engage with Varda’s strategies. One of the ongoing questions that guides this video essay concerns how, and why, we are drawn to the films that speak to us. What is the ineffable process of choosing our objects of study and admiration?
Sadia Shepard is Assistant Professor of Film Studies at Wesleyan University. Her documentary films have screened at the Sundance Film Festival, LA Independent Film Festival, and others. Recent work includes video essays Shadow Self: On Agnès Varda’s Documenteur and Dear Barbara Loden: Reconsidering Wanda (1970), which appears in [in]Transition: Journal of Videographic Film & Moving Image Studies.

Saturday 14:30
The Chopin House
2024, 7 min., English
Director: Sadia Quraeshi Shepard
In Shadow Self: On Agnès Varda’s Documenteur, I blend film history and analysis and autoethnography, re-editing and remixing scenes from Documenteur, and inserting original footage and silhouettes to echo and engage with Varda’s strategies. One of the ongoing questions that guides this video essay concerns how, and why, we are drawn to the films that speak to us. What is the ineffable process of choosing our objects of study and admiration?
Sadia Shepard is Assistant Professor of Film Studies at Wesleyan University. Her documentary films have screened at the Sundance Film Festival, LA Independent Film Festival, and others. Recent work includes video essays Shadow Self: On Agnès Varda’s Documenteur and Dear Barbara Loden: Reconsidering Wanda (1970), which appears in [in]Transition: Journal of Videographic Film & Moving Image Studies.
